Tag Archives: eco-print

Complex botanical dyes and ecoprints on silk – painterly inspiration

Lunar Mystery ecoprint scarfLunar Mystery Scarf – with cutch, indigo, blackberry leaves, coreopsis, cotinus coggygria leaves and marigold petals on flat crepe silk – SOLD.

During the autumn months of 2015 I created a collection of silk scarves using layerings of ecoprints, botanical dyes and resist dye techniques. As an artist with a background in painting and printmaking I have always enjoyed complex layerings of colour and texture.  I have been observing within the ‘ecoprint’ community that there seems to be a preference for exact detail of the leaves and other botanical material. In my opinion this is often at the expense of the subtle nuances of colour that ecoprinting can offer. I think this is due to an overuse of iron as a mordant. While iron does bring out details it also saddens and darkens colour. Iron can also affect the integrity of silk and can leave it duller and less ‘silky’. I always use alum as a mordant and I sometimes use iron in small amounts. My interest lies more in the painterly and playful effects of layered colour and texture and the infinite nuances of colour from botanical dyes and ecoprints than in reproducing the leaves exactly.

Where some may find the yellows and golds unwanted in the scarf below, I find it beautiful. Not using iron allows the golds and rusts of the coreopsis and the pale lilac blues of the cotinus to flourish. Where the warm and cold colours meet are an infinite variety of subtle greens.

Golden silk scarfCotinus leaves and Coreopsis silk scarf – with cutch, cotinus and coreopsis on flat creper silk scarf – SOLD

On the subject of painting, during my recent show “Botanical” I had the pleasure of showing my work with the lovely miniature botanical paintings of artist Nadine Stefan. We decided to do this after noticing how our work complemented each other. It was so rewarding for us to see our work displayed together in this way. We had an almost sellout show!

Botanical Show“Botanical” – Hidden Garden Gallery, New Denver, BC, Dec, 2015

Botanical show“Botanical” – Hidden Garden Gallery, New Denver, BC, Dec, 2015

Nadine Stefan paintingsNadine Stefan miniature paintings in “Botanical” 

Nadine Stefan is an artist who works in a wide variety of media. Check out her website here: Nadine Stefan

Here are a few more pieces from my collection  – some have sold and others I have made available for purchase in my online gallery  – Those still available appear first in my products, and following those I have left some of the sold ones for you to view. here: http://morgenbardati.bigcartel.com/

Wine and Gold scarfWine and Gold scarf – with cochineal, madder, cotinus coggygria leaves (smokebush), coreopsis leaves and flower buds, and sumac leaves on flat crepe silk scarf – SOLD

Moom and Leaves silk chiffon scarf

Moon and Leaves silk scarf –  with leaves of maple, birch and cotinus coggygria ecoprints with cutch, brazilwood and indigo on crepe de chine

Blue green gold silk scarfBlue green and gold ecoprints and itajime silk scarf – with madder, coreopsis, cotinus coggygria, maple and indigo on crepe de chine.

Botanical Dream scarfBotanical Dream silk scarf – with black tea, coreopsis, cotinus coggygria and maple leaves on flat crepe silk – SOLD

Landscape Illusion scarfLandscape Illusion scarf – with black tea, cotinus coggygria leaves, coreopsis flowers, sumac leaves and indigo on medium weight silk habotai

Blue and Brown silk scarfBlue and Brown ecoprint and botanical dye silk scarf – with maple leaves, marigold and cotinus coggygria ecoprints with cutch, black tea and indigo on silk chiffon

Mother pf Pearl and Flowers silk scarf Mother of Pearl and Flowers silk scarf – with black tea, brazilwood, coreopsis, cotinus coggygria leaves, indigo on sheer lightweight silk habotai

Late September Garden silk scarf Late September Garden silk scarf with cochineal, coreopsis flowers, Japanese maple leaves and cotinus coggygria (smokebush) leaves on crepe de chine – SOLD

 I wanted to extend a sincere thank you to all those of you who supported our show “Botanical”, both locally and afar. Also, many thanks to all of those who have emailed me recently with your kind words of encouragement – I appreciate you all very much. I am considering the idea of presenting a workshop – perhaps here in the Kootenays in the early Fall when the local leaves are strong with colour. I will keep you posted.

Botanical – show and sale – Hidden Garden Gallery, New Denver, BC

I am very pleased to be sharing a gallery space for a week with my friend Nadine Stefan. Her beautiful botanical ‘landscapes’ and my eco printed and botanically dyed silk scarves compliment each other so perfectly. We each have an online version of this show and sale – please see the links below.

Botanical Poster true

To view and/or purchase Morgen Bardati’s silk scarves from “Botanical” please follow this link:  http://morgenbardati.bigcartel.com/

The view and/or purchase Nadine Stefan’s miniature paintings please follow this link:  http://nadinestefan.bigcartel.com/

Please see our events page on Facebook for updates: https://www.facebook.com/events/1653690094902530/

Madder and Mother of Pearl

Mother of Pearl is to me one of the most beautiful materials on the planet. I grew up on the coast of South Africa and as a child I spent a lot of time wandering along the edges of the surf picking up shells. Also known as ‘nacre’, mother of pearl came to me in the form of the abalone, or, as we called them in South Africa, the ‘perlemoen’ or ‘venus ear’ shells. Imagine my surprise when a piece of silk I was working on with madder and local plant material produced the iridescent colours of mother of pearl.

Mother of Pearl silk scarf

I first dyed this piece of flat crepe silk in a light madder dyebath. Then I bundled it with maple and smokebush leaves and steeped it for an hour in a stronger more vibrant madder dye bath together with another piece of the silk which I later used for the back of this two sided scarf.

Mother of Pearl silk scarf

I was at first startled by the red fiery markings on the delicate background of pinks and greeny golds. I decided to fold and clamp the fabric and placed it in a post mordant of iron. That’s when the magic happened. The most amazing colours developed out of this process.

Mother of Pearl Scarf

The ecoprinted maple and smoke bush leaves were not in themselves remarkable. They were’nt even as clear as I would have liked. Perhaps they were ovewhelmed by the strong colour of the madder. But how they mixed with the madder and iron astonished me. The range of blues, pinks, green, golds, greys and silver are so amazing. How the light plays over these colours on the silk makes it look iridescent and alive.

Mother of Pearl Silk Scarf

I actually did this piece last fall but have’nt until now been able to figure out how to capture the qualities of the colours. I recently noticed how true the colours of my silk scarves look under my white market tent and the way that the sun diffused under it. So I have been setting up under my white tent against a canvas backdrop and photographing silk seems to have improved for me. It still does’nt quite capture the way the light interacts with the colours but I think it’s as close as I’m going to get.

Eco Dye Silk Scarf

This is quite a large scarf, more of a shawl really. It measures 22″ wide by 60″ in length.

Mother of Pearl Silk Scarf

Mother of Pearl silk scarf

 

Some naturally dyed and printed scarves to show you at last.

I have been slowly putting some of my natural dyed and printed fabrics together into scarves with ruffles and pockets.

Cotton and wool scarf with pocket – logwood dye, rusty metal rings, eco-printed and screenprinted with walnut husks.

Silk scarf - anemones and nudeThe colours on this piece I found extremely difficult to capture in a photo – it just does’nt do it justice – the sheen of the silk and the subtle colours I’ve used here are not showing as they should. This scarf is made of silk habotai with raw silk on the other side. Dyed with walnut husks, eco-printed and screenprinted with logwood and walnut husks, this scarf has a drawing of a nude screenprinted on one side. It can be worn with her showing or turned inside. The ruffled anemone printed edges appear on both sides of the scarf.  I have always maintained drawing as a core practice and have especially liked life drawing. Using some of my drawings on garments has been an idea I’ve had for a while. I plan to make a series of these.

IMG_1718 copyClose-up showing strawberry leaf and lichen contact prints and anemone flower screenprints in walnut husk and logwood printing ink.