Tag Archives: textile artist

Culture Tour in the Kootenays brings visitors to my new art studio

 

001 copy‘Old Age Security Blanket’ project in process

On the 13th and 14th of August I participated in the Columbia Basin Culture Tour. Though this is the 8th year that this tour has occurred it was the first year for me. Having a new studio separate from my home made it possible for me to welcome the public into my space for this event. I had a steady stream of visitors come by on both days and I was amazed at how long they spent engaging in some really thoughtful conversations around ideas in my work – especially the Old Age Security Blanket project. After the two days I was exhausted but also really really inspired and grateful for having made such meaningful connections with some amazing people.

I am an artist who likes to explore a diverse range of media. My new studio is quite a large space for me and I was able to show a range of what I do, including some long term works in progress (like my Old Security Blanket) as well as drawings and small wearable art pieces. Before taking it down I tried to capture in photographs how my studio looked for those of you who could not make it for the tour.

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I had several new large ecoprint silk scarves on the walls, draped on models and in other little spaces. On the left is my sewing machine and wearable art worktable and in the background a door going into a small storage room and library. In the foreground is an installation I have been playing with – see the image below for detail.

020 copyPennies stitched in cloth with plant dyed thread and wooden knitting needles, needle and thread – playing with the idea of pennies being the smallest unit of exchange and ideas of slow work, traditional woman’s work and the value of small simple daily contributions to our lives.

Yes, I have a rocking chair in my studio! Though I seldom get to sit in it – maybe this winter.  The piece hanging on the wall is a work in progress and the piece below it is the first completed piece in my ‘Love Letter’ series ( slow slow work) – see detail shown later.

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024 copyDetail of “Embrace me my Obstacle” (Unfinished)

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“Love Letter to Slocan Lake” – a poem in silk, stitches, pebbles and beads

An ongoing project for me is my “Old Age Security Blanket” – a major work in progress which is close to halfway now – you can read the story about it here: OAS Blanket  It has finally reached a size that I can show it on a bed and I have a dedicated space just for this project (which also serves as a small gallery). When this installation is completed it will be much longer than the bed, reaching several feet along the floor –  an exaggerated security blanket. This work in progress is about my personal journey of inquiry into ideas of security, economics and growth. This project began in 2013 at the time that Canadian pennies were phased out of circulation and so it also explores ideas of  loss and extinction. I am making this ‘blanket’ using found natural dye colour, pennies collected and saved in cloth and contemplation through stitching, words and drawings. An accounting ledger accompanies this piece to preserve a written record of money saved and organic thoughts collected along the way.

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Following are a few more images of little sections and views of my studio. There are many threads of ideas and themes that move through the different projects I do – for example  being able to place life drawings next to draped silk brings attention to these links and little water colours and drawings of seeds show up again in my textile soft jewelry necklaces. Simple shapes and patterns like circles, the almond shape (vesica piscis) and meandering undulating lines appear in most of my work.

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Complex botanical dyes and ecoprints on silk – painterly inspiration

Lunar Mystery ecoprint scarfLunar Mystery Scarf – with cutch, indigo, blackberry leaves, coreopsis, cotinus coggygria leaves and marigold petals on flat crepe silk – SOLD.

During the autumn months of 2015 I created a collection of silk scarves using layerings of ecoprints, botanical dyes and resist dye techniques. As an artist with a background in painting and printmaking I have always enjoyed complex layerings of colour and texture.  I have been observing within the ‘ecoprint’ community that there seems to be a preference for exact detail of the leaves and other botanical material. In my opinion this is often at the expense of the subtle nuances of colour that ecoprinting can offer. I think this is due to an overuse of iron as a mordant. While iron does bring out details it also saddens and darkens colour. Iron can also affect the integrity of silk and can leave it duller and less ‘silky’. I always use alum as a mordant and I sometimes use iron in small amounts. My interest lies more in the painterly and playful effects of layered colour and texture and the infinite nuances of colour from botanical dyes and ecoprints than in reproducing the leaves exactly.

Where some may find the yellows and golds unwanted in the scarf below, I find it beautiful. Not using iron allows the golds and rusts of the coreopsis and the pale lilac blues of the cotinus to flourish. Where the warm and cold colours meet are an infinite variety of subtle greens.

Golden silk scarfCotinus leaves and Coreopsis silk scarf – with cutch, cotinus and coreopsis on flat creper silk scarf – SOLD

On the subject of painting, during my recent show “Botanical” I had the pleasure of showing my work with the lovely miniature botanical paintings of artist Nadine Stefan. We decided to do this after noticing how our work complemented each other. It was so rewarding for us to see our work displayed together in this way. We had an almost sellout show!

Botanical Show“Botanical” – Hidden Garden Gallery, New Denver, BC, Dec, 2015

Botanical show“Botanical” – Hidden Garden Gallery, New Denver, BC, Dec, 2015

Nadine Stefan paintingsNadine Stefan miniature paintings in “Botanical” 

Nadine Stefan is an artist who works in a wide variety of media. Check out her website here: Nadine Stefan

Here are a few more pieces from my collection  – some have sold and others I have made available for purchase in my online gallery  – Those still available appear first in my products, and following those I have left some of the sold ones for you to view. here: http://morgenbardati.bigcartel.com/

Wine and Gold scarfWine and Gold scarf – with cochineal, madder, cotinus coggygria leaves (smokebush), coreopsis leaves and flower buds, and sumac leaves on flat crepe silk scarf – SOLD

Moom and Leaves silk chiffon scarf

Moon and Leaves silk scarf –  with leaves of maple, birch and cotinus coggygria ecoprints with cutch, brazilwood and indigo on crepe de chine

Blue green gold silk scarfBlue green and gold ecoprints and itajime silk scarf – with madder, coreopsis, cotinus coggygria, maple and indigo on crepe de chine.

Botanical Dream scarfBotanical Dream silk scarf – with black tea, coreopsis, cotinus coggygria and maple leaves on flat crepe silk – SOLD

Landscape Illusion scarfLandscape Illusion scarf – with black tea, cotinus coggygria leaves, coreopsis flowers, sumac leaves and indigo on medium weight silk habotai

Blue and Brown silk scarfBlue and Brown ecoprint and botanical dye silk scarf – with maple leaves, marigold and cotinus coggygria ecoprints with cutch, black tea and indigo on silk chiffon

Mother pf Pearl and Flowers silk scarf Mother of Pearl and Flowers silk scarf – with black tea, brazilwood, coreopsis, cotinus coggygria leaves, indigo on sheer lightweight silk habotai

Late September Garden silk scarf Late September Garden silk scarf with cochineal, coreopsis flowers, Japanese maple leaves and cotinus coggygria (smokebush) leaves on crepe de chine – SOLD

 I wanted to extend a sincere thank you to all those of you who supported our show “Botanical”, both locally and afar. Also, many thanks to all of those who have emailed me recently with your kind words of encouragement – I appreciate you all very much. I am considering the idea of presenting a workshop – perhaps here in the Kootenays in the early Fall when the local leaves are strong with colour. I will keep you posted.

Pollination – bees, flowers, pollen – my new collection of textile designs

Morgen Bardati - "Pollination"

The first prints from my new series are ‘hot off the press’ as the saying goes, and just in time for the early spring we are having here in the Kootenays. Our bees are already buzzing around outside looking for flowers, pestering me as I get in some early gardening – they buzz in my face inquisitively, as if my activity will miraculously produce some tasty blossoms.

I am a gardener, beekeeper, nature lover and I work with natural dyes. Pollination is such a joyful expression of aliveness in nature and conjures such beautiful imagery for me. I envisioned these images on wearables and at the table on napkins and tablecloths. So far I have produced five new designs and I still have a few more up my sleeve which will be happening over the next few weeks. Here are some of my images, showing the process from drawing to screen prints on small naturally dyed and fiber reactive dyed pieces of cloth.

 

Morgen Bardati - "pollination"I work first with pencil and then in pen and ink. I like to use an old fashioned ‘dip’ pen and black ink – see image of cherry blossom on the left and same drawing in black just below it.

 

Morgen Bardati - Cherry blossom - from "Pollination"” Cherry blossoms” – showing pen and ink drawing and first prints on cloth. The middle piece is plant dyed cotton.

Morgen Bardati - "Pollination" - bees and flowers“Honey bee” and small “Cherry blossom with pollen” – pen and ink drawings and screen printed on shibori stitched and hand dyed cotton fabric.

 

Morgen Bardati - Bees and Flowers form "Pollination"“Cherry blossoms”  printed on hand dyed hemp/cotton and  “Honey bee” printed on hand dyed vintage linen.

 

Morgen Bardati - "Pollination" print series” Bees in Flowers” have been an ongoing theme for me. This print is quite small and I visualize it on a cloth napkin. The tiny cherry blossom at the bottom right on natural dyed cotton I will be using for a small necklace pendant. it looks beautiful with the larger print – the specks of pollen provide a continuity to the design.

 

Morgen Bardati - "Pollination"A collage of “Pollination” prints – waiting to be heat set and then made into wearables. Some of these fabrics I have already surface designed with stitched shibori and layers of discharge print. I work on large pieces as well as tiny pieces of textiles with a variety of surface design techniques and hand dyed colours. I then have them handy to print on when I need them.

 

Morgen Bardati - "Pollination" necklacesThe first finished pieces to come out of this series – “Pollen” necklaces with macro images of lily pollen – layers of hand dyed cloth, hand made hemp silk cords and mother of pearl buttons.

To view items from “Pollination” please visit my Etsy shop here:

https://www.etsy.com/shop/MorgenBardati?ref=hdr_shop_menu

or my Facebook page here:

https://www.facebook.com/MorgenBardati?ref=hl

 

 

Naturally dyed scarves with mixed techniques

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I’ve been meaning to share with you some of the scarves I made before Christmas but I. Have been having computer issues and avoided doing this on my ipad. I’m still waiting on the computer so here I am trying to configure this post on a little ‘gadget’. These scarves shown here are a collection of silk ones I constructed  myself as well as some simpler silk and silk/ wool blends which I purchased pre-hemmed. Most of the plant dyes used are local here in the Kootenays and include goldenrod, St Johns Wort, black walnut, onion skins and contact/ dye prints of coreopsis flowers, cottinus coggygria leaves, acer( maple) leaves, St. John’s wort, cosmos flowers, oak leaves, rhododendron leaves, strawberry leaves, some windfall lichen. I used a few exotic dyes on some pieces, including madder and logwood.  Techniques used are vat dye baths, contact/ Eco dye printing, screen printing, ‘itajime’, clamped block resist , a shiborI technique. I used a variety of beautiful silks, crepes, habotai, raw silk, charmeuse.

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